Author Archive: ken@kenrieves.com

To control your photography, control your camera.

I see a lot of questions from beginning photographers about how to improve their photography skills. It’s a broad question with a lot of different answers. Today I decided to tackle a few of them. Most of these have been covered a million times, but they are important enough to make it a million and one.

The first rule is: To control your photography, you must control your camera. While that sounds kind of self explanatory, lets discuss it briefly. Controlling you camera means using it in such a way that it yields the results you expect. The idea is that when you see a photo opportunity, you can capture the image on your camera that you had in mind. Often people will take a photo and think to themselves it’s going to be a great photo, only to be disappointed when they view it on the back of the camera.

This disappointment usually occurs because the camera doesn’t yield the image you observed or your observation was faulty and the photo op wasn’t that good to begin with. Or, both things happened. Today we’ll address the first situation and next week I’ll address the second one.

A camera has 5 main control points. They are aperture, shutter speed, ISO, focus, and direction (where you point it). When all of these things work together, you can have a thing of beauty. When they don’t, you have a really bad photo.

First things first. In most instances, shoot with your camera on manual exposure. It will allow you (not the camera) to select aperture, shutter speed, and ISO. This give you control over image noise, depth of field, motion blur, and ton of other components of your image.

Copyright Ken Rieves Commercial Photography

Camera set to manual exposure.

Focus. Most of us shoot with auto-focus. There’s a good reason for that, it’s considerably faster than trying to manual focus. A problem with auto-focus is that the camera decides what it wants to focus on. To gain control, change your camera’s auto-focus points to just the center one so that just whatever that little red dot is pointed at with be the focus point for that exposure. Most camera’s default is for the shutter release to be trigger for AF. You push it half way down and the camera focuses. In most new cameras, that is programable and can be changed to other buttons on the back of the camera. Pick a button that you can access with your thumb and do that.

The * button is being used for activate the autofocus on my Canon 5D Mark III.

The * button is being used for activate the autofocus on my Canon 5D Mark III.

While it sounds counter intuitive, using a different button for focus gives you a lot of control. For instance, you can pick an object to focus on using the alternate focus button, then compose the image and then take the photo. Then you can shoot more photos varying the composition without having to refocus every time. More control. It will seem weird at first, especially if you are really used to the half press shutter to activate your AF, but you will quickly get used to it and prefer it.

The last control is direction. This is where you point your camera. I won’t getting into a discuss of composition here, it is really a topic of it’s own. However, realize that, since you now have control over all the aspects of your camera’s performance, point it in a direction that makes for the best photos.

Thanks for reading!

-Ken.

Lake Living

Just a few photos around Lake Erie. Although I’ve been living a few minutes from the lake for 6 months, the novelty hasn’t worn off.

Copyright Ken Rieves

Lake Erie on a cloudy day.

Copyright Ken Rieves

Lights along the pier in Avon Lake, OH.

Thanks for reading!

-Ken.

John Lennon was right.

A few weeks ago I visited the Rock and Roll Hall of Fame in downtown Cleveland. It’s a great place and if you appreciate music, you’ll love it. On one exhibit there was a quote from John Lennon that I felt was pretty profound. The quote says “My role in society, or any artist’s or poet’s role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all”.

I love that quote. It means to me is that as an artist your job is to give people the opportunity to feel. What and how they feel is up to them.

For instance, nearly everyone has seen Van Gogh’s painting Starry Night. Almost everyone has a reaction to it. Some people may find it peaceful and calm, others may be captivated by its swirls and fluidity, and yet others will find it crude and unrefined. That’s the marvelous thing about art, it makes you feel. How you feel is personal and it’s not the artist’s job to push you.

It seems that lately, too many artists, especially those with celebrity status are intent on telling how we should feel and are doing so to promote personal or political interests. They are no longer content to make people feel, they want to control how and what they feel.

I think everyone would be better served by considering John Lennon’s words.

John Lennon's quote at the Rock and Roll Hall of Fame, Cleveland, OH.

John Lennon’s quote at the Rock and Roll Hall of Fame, Cleveland, OH.

Thanks for reading and be sure to check out the rest of my website.

– Ken.

Step Outside Your Comfort Level

The other day I was speaking with another photographer and we discussing the challenges of different types of photography. The skills needed for someone to shoot product photography in the studio is very different than those needed to be a great sports photographer. However, there are things that can be learned by stepping out of your area of comfort and learning some new skills.

When my studio was in Fort Wayne, I used to accept interns from two of the local colleges. One exercise I liked to do was to take an intern to a local park that was known for waterfowl visiting a lake there. We would go to the park and photograph birds. I would specifically ask the intern to shoot the birds in flight. This is always a challenge as you have to be shooting in right direction so you can get the lighting right and also be able get the image in focus. It’s not as easy to do as it sounds and to do so consistently takes practice and skill.

I had a intern tell me that she didn’t see the reason for doing this, she planned to shooting weddings and shooting birds seemed like a waste of time. I explained that even though she planned shooting weddings exclusively, this skill would prove useful and would increase the number of viable images at a reception or when shooting fun images of the wedding party prior to the ceremony. You often need to get candid photos of people in motion and the skill will translate from shooting birds to shooting people.

A lot of my work has been done in industrial settings. I’ve had interns tell me that they would hate to shoot in that environment. It’s often hot, dirty, and gritty. Sometimes you are shooting older machinery where the challenge is to try to make it look good or at least less bad. While not especially glamorous, you can learn a lot from industrial photography. You are constantly shooting in different environments with different lighting. Space is sometimes open and spacious, other times it’s cramped and restricted. You learn to be flexible, adaptable, and creative. You know, regardless of the circumstance, your client has high expectations and you have to deliver. All of these traits are invaluable in life and in photography.

I guess my point is that gaining some experience outside of your preferred style of photography will only benefit you. At the very least it will give a new found respect for photographers that do other kinds of work and it’s fun.

Thanks for reading!

-Ken.

Industrial Photography

Industrial photography presents some fun challenges. First of all, every location is very different in terms of subject matter, lighting, and general environment/background. This means a photographer is always having to solve problems in order to get the best image possible for his client. Sometimes the goal of the shoot is to sell a product and sometimes it is to sell a service or a manufacturing capability. Depending on the client’s marketing strategy, the results needed are simply the likeness of a product showing it in the best possible light. Other times it is to show the results of complicated manufacturing process in order to sell the process. And other times it is a related image that gets attention.

Here are a couple of examples:

Sparks being created by a surface grinder. The image shows dramatic color and action. Image © Ken Rieves

Sparks being created by a surface grinder. The image shows dramatic color and action. Image © Ken Rieves

Commercial Photography Copyright Ken Rieves

A fitting that was machined and precision welded. Image © Ken Rieves.

Thanks for reading!

-Ken

Winter at the Lake

Well, the weather here has been pretty mild this winter, but still not conducive for getting out too much. Fortunately, the weather has cooperated for most of my outdoor location work. A few times I’ve just ventured to the lake to get some shots of the snow and ice while they existed (like I said it’s been a mild winter).

Here is a shot of Lake Erie from Avon Lake, OH. It’s about 20 minutes West of downtown Cleveland.

Lake Erie shot with a Leica M with a 50mm Summicron.

Lake Erie shot with a Leica M with a 50mm Summicron.

I love the dramatic sky, it has the look of an impending storm.

That’s all I have today, I know I need to post more often. It’s just taken a while to settle in to a new city and state, but I’m getting there.

Thanks for reading!

-Ken

Behind the 8 Ball

I’m finally getting settled in to the new house in a small town just outside of Cleveland (about 15 minutes from downtown). The sellers left a pool table in the basement and I just had it recovered and restored. Needless to say, I had to shoot a photo.

Photographed with a Leica M and 35mm Summicron.

Photographed with a Leica M and 35mm Summicron.

Stormy weather on Lake Erie can be quite dramatic so it’s fair game to be the subject of a photo.

Lake Erie Storm. Leica M and 35mm Summicron.

Lake Erie Storm. Leica M and 35mm Summicron.

Thanks for reading!

-Ken.

It’s been a while…

Yes. I know. It’s been a while since I posted on the blog. That’s the thing about moving to a new state, it takes a lot of time and resources to prepare. The studio is now closed and movers are packing up the house. It’s both exciting and scary to think that next week I’ll be living a new house in a city where I don’t know anyone.

Totally unrelated to much of anything, below is a photo of my dartboard in the old basement. One great feature about the old house is the number of windows. The daylight basement has tons of natural light.

© Ken Rieves Photography

Shot with a Leica M and 50mm f/2 Summicron Lens. © Ken Rieves Photography

I am moving the studio to the Cleveland OH area

After a lot of soul searching, discussion, planning, and a bit of bravado, I’ve decided to relocate to Cleveland OH. I feel it will be a move that opens new and exciting opportunities. The Fort Wayne area has been my home for more than 20 years, but it’s time to seek out change and pursue new challenges. I’ll have the studio open through the month of October, however I’ll be shooting for existing clients to finish projects and will not be taking on any new clients.

In the next few months I’ll be working freelance in Cleveland while investigating whether a studio is needed and if so, looking for locations.

I want to thank all my wonderful clients. My success in this business would not have been possible without their support, trust, friendship, and belief in my abilities. I really can’t thank them enough.

Keep following this blog for the latest info and also check out my Facebook page – https://www.facebook.com/kenrievesphotography

Thank You!!!

-Ken.

Photographers: Learn to see the light.

OK, I know this sounds pretty simplistic and a little dumb, right? Well, it’s tougher than you might think. Especially for inexperienced photographers.

First of all, you might be wondering what I mean by “see the light”. What I mean is actually see the way light is striking your subject. You have to ask yourself, is the light soft or harsh? Is the effect dramatic or flat? In what direction is the light coming? Where are shadows falling? Are they flattering? These questions should be your starting point because the answers may very well determine the quality of your photo.

Since light is one of the keys to good photography, it’s important to see light objectively. However, it can be difficult to do, because your brain and eyes will deceive you. The way your brain and eyes perceive light is so much more sophisticated than your camera ability to capture images. According to most experts your eyes have a dynamic range of around 24 f/stops, whereas the sensor on your digital camera dynamic range is probably in the 10-12 f/stop range. Your brain takes that for granted and is constantly making adjustments in the physical characteristics of your eye so that you see objects in bright sunlight and in shadow.

For your camera to make these compensations, you need to adjust your aperture, shutter speed, and ISO. Your eye does this in fractions of a second.

So when you evaluate a scene you are about to photograph you need to learn to see the differences in the way light strikes your subject. You need to see as your camera does. So how do you learn to do this? Well, I have an exercise for you that might help.

First of all I’m assuming you know and understand the Sunny 16 Rule. (If not, look it up. Every photographer should learn this). Go out on a sunny day and take some photos. It doesn’t matter what you are shooting photos of. Here’s the kicker: Shoot on manual settings and don’t use your built in light meter. Before you take a photo, estimate what you think the exposure should be before taking each photo. Shoot photos in the sun and well as in differing amounts of shade. Before each photo, set your ISO, aperture and shutter speed to what you think they should be and compare your results to your guesses.

This should help you correlate your vision of light and shadow to what your camera actually sees. Give it try. Maybe you’ll learn something and at the least you’ve gotten out and shoot some photos. That always makes for a good day. 🙂

Here is an available light portrait from this past weekend.

Ken Rieves Photography

Shot with a Canon 5D MkIII, Canon EF 70-200mm f/2.8 IS lens, ISO 1600, 1/125, f/2.8, 200mm.

Thanks for reading!

-Ken.

Loading...
X